Nashville, Tennessee: the heartbeat of American rock n’ roll and one of music history’s bastion cities. Steeped in tradition and iconic figures, its landscape is the home of some of the most memorable moments in music history. From the prominence of homegrown country music to rockabilly and traditional rock, the denizens and artists who ply their craft within its borders continue to be some of the most passionate in the nation.
The Blacklist Royals are a fine product of this Nashville brewery; distilled in rock n’ roll’s rich history and sharpened by punk rock’s sneer, they are both the present and future of this past. We recently spoke to drummer and founder Rob about their recent touring, their terrific album Semper Liberi and what their city’s (and genre’s) history means to them as they continue down the rock n’ roll highway.
How was the tour, crowd reception good?
Rob: The tour was great! It was our first tour in Canada, and it went really well. We were out with Orphan Choir, who are an amazing band and dudes, so it was a blast. Toronto, Montreal, and KOI Festival had great crowds and we met a lot of really cool people.
What were some of the best memories of the recent run?
Rob: The memory that will stick with me the most is from our day off in Toronto, a crazy drunk girl at The Bovine Sex Club beat the shit out of this girl who worked our show the night before, then attacked Nat and Alex as well! Part of me wanted to stop her, and part of me couldn’t help but want to watch some random maniac drunk bitch try to fight everyone in the bar for no reason. I think what started the whole thing is that Alex told her she was pretty, haha! She chased us all the way back to the van! Canadian girls are intense.
Did you guys all get along?
Rob: We get along great most of the time, regardless of our different personalities and the obvious tensions of being on the road constantly. Alex can definitely get a little wild sometimes, and since Nat and I are twins and have lived/played music together our whole lives we can get into it the way brothers do. But we all love each other and love being out on the road experiencing life and getting into all kinds of fucked up misadventures together, so it works out well. Right when I think we don’t get a long I watch other bands we tour with interact and realize we are a lot closer than most.
Semper Liberi is one of our favorite records of 2010. In our review, we said, “It’s all about the feeling, the essence, and the movement of what made the likes of Johnny Cash, Elvis, Chuck Berry and their kind so memorable.” Your city of Nashville is steeped in such a rich rock n’ roll culture, how much does rock n’ roll history influence your songwriting if any?
Rob: We are definitely students of rock and roll history, and it is a bigger influence on us than anything else. Nat and I grew up on 50’s and 60’s music, and moved to Nashville years ago in hopes of connecting with the things that made early rock and roll so great and real. So I definitely agree it is all about feeling. Semper Liberi was honestly kind of a concept album to us, an attempt to make a punk rock oldies album, but still keep it relevant. Classic rock and roll has been and will always be our bands compass, no matter where we go from here.
What are some of the important topics you consider as influential when it comes to writing the songs?
Rob: We write a lot about what we know, like life on the road and of course love songs. But we also had some songs about social issues on Semper Liberi such as “Jolie Blonde” (a re-working of the unofficial Cajun national anthem about hurricane Katrina), “Church Bells are Ringing”(about a mining disaster in my home state of West Virginia) and “American Hearts”. For the next record we have been writing much more personal songs, which are a little different from the straight forward rock and roll lyrics on Semper Liberi but still completely Blacklist Royals.
What is the natural progression for all of you now after Semper Liberi?
Rob: Well like I said, we are trying to get more real with our songwriting, more personal. We tried to make the songs on Semper Liberi more general so they were more accessible, but now we want to really take it to street level and sing about topics that we weren’t ready to cover with that record. But at the same time we want the songs to be even MORE hook oriented, and I am really excited about what we’ve been coming up with so far. Jamie, Alex, and Eric bring a lot of different influences and ideas to the table, so I expect our next record to be a real step up.
Paper + Plastick are a relatively new label- although Vinnie is no stranger to this- was it a natural choice for you to sign with them?
Rob: Definitely. Matt Drastic (who produced out record) is Less Than Jake’s tour manager, and turned Vinnie on to the band. Those two dudes have believed in us more than anyone ever has, so I couldn’t imagine being in better hands. They’ve really done a lot for us and P+P is becoming a really awesome label as other labels seem to be dying around them, so I am stoked to see what the future holds.
You guys are playing The Fest next- do you prefer these massive festival settings or do the open roads and endless rock n’ roll halls appeal more to your sensibilities?
Rob: It depends what time slot we get at the festivals, haha! They can be really amazing because we get to play to audiences that maybe haven’t seen us, or that generally wouldn’t go out to a show we play at a random shitty bar on a weeknight in their towns. So festivals are great, The Fest especially! It is always my favorite weekend of the year, and I have no doubt anyone who makes the trip down to FL will see us running around all night acting like idiots.
What are your plans after The Fest?
Rob: It is kind of up in the air right now. We are trying to work out a tour in November, and probably take December off. At the start of the new year there are a lot of cool things in the works including Europe, Canada again, and a Paper + Plastick tour with some of our awesome label mates. Basically we are just going to continue touring our asses off until people have no choice but to notice us.
Semper Liberi is out now via Paper + Plastick
Neon Love: Introducing Okay Cool
We talk to LA duo Okay Cool about their debut single
On the fourth or fifth time I listened to Okay Cool’s first single “Back To You” I hear a voice from the other room chiming in, “this song is really great my love”. It’s my wife, who often spends moments in the other room passively listening to my music. Okay Cool, the suave duo comprised of Jenna Maranga and Rich Gonzalez are on the cusp of releasing their first single and amongst the myriad of music my wife listens to second hand, this is the one she comments on.
It’s only been two years since Okay Cool formed. Once separated by the continental United States, both Maranga and Gonzalez call the City of Angels home. And it’s “home” home. Maranga, who has spent time in New York, has returned to the city she grew up in, reuniting with her friend that spent many summer days at her parent’s house (the same one they still live in now), by the pool drinking margaritas.
I imagine the formation of Okay Cool as happening under the Los Angeles’ night sky, summer some time, clad in the aura of neon lights. But the truth is, their formation happened much more organically, as Maranga explains; “[Rich] has a really cozy studio in his house in Crenshaw that you just want to spend time in, sipping bourbon and hanging out with Billy the pup. Though we didn’t go into it expecting anything like Okay Cool to be born, we genuinely loved the songs we were writing. We were both feeling giddy about the sound we were moving toward and the relaxed vibe — it was like we were making a soundtrack to our time together”. And as you listen to “Back To You”, you get that — a certain vibe, the soundtrack of two artists making music over bourbon and hanging out with Billy the pup. But as the listens multiply, you know that it’s also much more. Clad in the silky smooth vibes of R&B and soul made famous by artists like Sade, Okay Cool channel the timeless sounds of sophisticated pop that resonates on a multitude of levels.
Sade was an escapable name in the 80s, one that crossed the globe. But when asked if Okay Cool purposely set out to make music like Sade, the answer may surprise you; “For me, this sound is just kind of what naturally comes out when I produce music. Jenna’s project Isla June is quite different from our sound for Okay Cool, which is the best part of this project in my opinion. Jenna has a unique ability of shaping her voice/writing style to most genres. I’d like to think Jenna brings out the best in my production style.” Gonzales says. But flip that on the upside and you have Maranga’s differing approach; “That’s why I need Rich! It totally comes naturally to him. I’ll be honest, for me, it was more or less intentional. Most of the music I’ve written over the years has been loud and energetic with a lot of belting vocals and sonic builds. I wanted to do something totally different in the realm of Sade (whom I love), and Rich is the perfect counterpart for that. His writing and production are some of my favorites to sing melodies to — they immediately spark ideas, and his jazz background has given him an innate sense for structure and arrangement. His songs just flow so well.” Combine the two approaches and you have Okay Cool’s debut single- classy production that crosses soul and jazz with electronica and a golden voice that melts.
They seem to work in concert because even though they approach Okay Cool a little differently, the collaboration works. And whether you listen to “Back To You” to find comfort in the night sky after a long day, or find it as the perfect soundtrack on a weekend drive’s winding roads, the song’s gradual build and composed crescendo is the refined kind of cool.
“Back to You” was one of those songs that just fell into place. The song is a bit of a love letter to mother nature, and a subtle plea to give her back what she deserves– Jenna maranga, okay cool
Gonzalez found inspiration for his music from some historical greats, and his production sizzles with the kind of refinement his influences are known for; “Miles Davis, John Coltrane, Sonny Rollins, Count Basie among other jazz classics. I also listened to a lot of classical music like Percy Grainger, Chopin” he says. His influences ultimately helped shape Okay Cool, and as Maranga states, they aim to pave a new path for the genre while paying artistic homage at the same time; “I have been a fan of Stax and Motown soul forever, and as a 90s kid I grew up with an iteration of R&B that was impossible not to love. The more I learn about the history of both genres, the deeper my appreciation and respect for it grows. I’m glad we can give a little nod to it in our own music.”
“Back To You” is only the first step for Okay Cool, the initial foray that will be followed by more singles and an EP. But when pressed about a possible full-length album, there is no doubt one is on the way. Yet as you talk to both Maranga and Gonzales about Okay Cool you realise that they both approach the project with both a seriousness to creating art and music, but at the same time, realizing that the journey of creating it, can come with a lightheartedness and a joie de vivre that makes it all worth it in the end; “we’re having a good time inventing the brand around Okay Cool and cultivating a vibe that’s fun and not taking ourselves too seriously.”
Listen to “Back To You” and you’ll feel the same — art and music that sounds timeless, like those artists that came before them. But it is also full of life and pulls you into the present moment, making you smile. Whether it grabs you on the first listen, or it hypnotizes you on the fourth or fifth listen, “Back To You” leaves you eager to hear more. And what else could you want from your first single?
Listen to “Back To You”
A New Tomorrow: An interview with Lee Resistant & The Lost
Lee Resistant & The Lost find life in old songs and a path to a new tomorrow
Sometimes you have to look into the past to find the future. It is a sentiment that UK transplant Lee Resistant understands quite well. Once a member of UK punk band Fletcher, Lee has found new life in old songs, revisiting material he wrote for his previous bands while giving them a new sheen for current times. With a solo career established, Lee Resistant formed his latest outfit, Lee Resistant & The Lost, during the close of 2017. He found that some of his old material not only held up over time, but still had much to give in way of connecting with new listeners.
Now with two EPs under their belts, Lee Resistant & The Lost are finding that sometimes looking back into your past is a great way to move forward. Their latest EP, Thirteen Years Gone By…, features reworked and re-recorded songs from Lee’s previous efforts, songs that are part of the catalyst that propels the band towards all new material on the horizon.
We spoke to Lee Resistant not long after the release of their new EP and talked the past, the present, and the future.
The EP has been out for a little bit now- you’ve been getting a good response to it- how does it feel?
It feels really good, the reaction we’ve had to it so far has been very positive. The songs themselves had a good reaction when they were originally released back in the day, so the issue for me was releasing re-recorded versions that I felt had to be better than the originals, otherwise what would be the point?
The lead track “Least Resistant” is a rework of a Fletcher track from back in 2003- are the other songs on the EP as well or were they songs you had written outside of the band?
“Least Resistant” and “Where Would You Run?” are from the 2003 Fletcher full-length My Revenge, and “Wishlist” is from the 2002 Six Track Sound EP. “For The Few” is a song I wrote for the band I started after coming to Canada, RUCKS, which was active from 2007-2009. Brian (bass) and Alex (drums) from LRATL were in that band too, so we have a long history of playing together now.
Share with us a little of your reasons why you’re looking at some of these songs you wrote and giving them a revisit and re-recording.
I’ve been concentrating on playing solo acoustic shows for the last few years but, really, I’ve always been a ‘band’ guy, so when I decided I wanted to end 2018 with a full band show it was a chance to dust off a few of my favorite songs from the back catalog, several of which I never actually sang back in those days! It was exciting because I genuinely never thought I’d get to play those songs in a band situation again, and I think they’re great songs that stand the test of time.
With regard to recording them, I’d been writing for a LRATL full-length, and the collection of songs I have for it feel like a more solid piece of work together, so I didn’t really want to cull a separate EP from it. Revisiting some of the older material seemed like a perfect way to bridge the gap between my musical past to where I’m at now, and also break the guys into my production process with a little less pressure! [laughs]
Tell us a little bit about your history with Fletcher- you guys were together from a few years from 2000-2005?
That’s right. We were signed to Deck Cheese Records in the UK at the tail end of 2001 and Pyropit Records in Japan in either late 2003 or early 2004. We got to do a lot of cool stuff and played with most of my favorite bands… I have really good memories of those days, and it felt like we were on the cusp of doing so much more when things pretty much fell apart. We were touring as much as we could while holding down full-time jobs at the same time, and things were basically at the point where the next opportunity on the table would have involved quitting our jobs and going on the road for three and a half months across North America and, from my viewpoint at least, that seemed like too much of a chance to take for the other guys.
Did it end on good terms?
For me, no it didn’t. I don’t know if it’s because I’m stubborn or a complete asshole, but Fletcher played our last show together on July 17th, 2005 and I walked out of the venue afterwards and didn’t talk to any of the others for ten years. For me, playing music has never been about being famous, or getting rich, or any of that bullshit, but I think the disappointment of seeing what we could have done together collapse was really hard to take at that particular time.
You’re originally from the UK- what prompted the move to Canada?
Hahaha, let’s just say MySpace has a lot to answer for, and leave it at that!!
How did Lee Resistant & The Lost get started?
LRATL actually started as a solo recording project at the end of 2017. I was writing songs that I was hearing in my head as ‘full band’ productions more than strictly acoustic material, so my aim was to put out a song on the first of every month for the whole of 2018. That was a pretty ambitious schedule at that time, so it ended up being a five-song EP called 42/43. I have the word LOST tattooed on the knuckles of my right hand, so I called the project Lee Resistant & The Lost, as it was basically me and my right hand doing everything! [laughs]
Putting the band together with Jakob, Brian and Alex for that 2018 show was a bit of a revelation, and I was like “this feels REALLY good!”, and it’s progressed from there.
So my favorite track on the new EP is “For the Few”- how did that song come together?
I think “For The Few” was written in late ’07/ early ’08. We were doing shows at the Royal Canadian Legion Branch 28 in Chatham, Ontario, and there was a mural thing on the back wall with the Laurence Binyon poem ‘For The Fallen’ on it. That World War One poetry has always resonated with me for some reason, so it got me thinking about people of all walks of life who have laid down their lives or sacrificed everything they have, for something they believe in. I think there is no more honor in life than that, so “For The Few” is my humble tribute to them.
I really enjoyed the EP- but it’s not the most recent music you’ve released- as a solo artist, you co-released an EP with Curt Murder. How did that collaboration come about?
Yeah, I kinda screwed up my scheduling and both records were out within a week of each other! Curt and I have been buddies for a while and we’d been planning to do a split since August of last year, so once we figured out when we could get together I recorded it at my home studio in Chatham. Curt runs Reel Too Real Records, which is a DIY, cassette-based, limited run deal, so we released it via that and digital. The record is called Split The Difference, basically because we look like brothers! Haha
The song on there- “Over and Out”- it’s brilliant- evoking, haunting. Do you approach songwriting as a solo artist different to when you write for The Lost?
Thank you, I appreciate that! My approach to songwriting tends to stay the same… I’m not one of those people that records or writes down every single idea I ever have in the hopes of making something out of them. To me, that’s a recipe for utter crap! [laughs]
If ideas come to me I will keep them in my head, and if they’re good then I will remember them. Some songs come together pretty quickly, but others will make themselves known to me when the time is right. It’s a pretty fluid process for me, and I feel like more of a conduit than a ‘composer’ most of the time. I never force a song just for the sake of getting it done, I still have unfinished songs from 2011 or so kicking around in my skull.. they’ll let me know when they’re ready!
You’re currently working on new material for Lee Resistant & The Lost- how have these currently reworked songs helped shape the material and the direction for the new music?
It’s more like the new material helped shape the reworking of the old songs… I feel a bit more capable as a writer and arranger these days, and I find I ‘hear’ a lot more layers within songs but also have more of an ability to manifest those ideas too.
When are you hoping to have the new album done by?
The current plan is to have the full-length finished by the fall, and hopefully find a label willing to put it out early next year. We’re going to do a standalone single release in early September to keep things ticking over, and a video for ‘Where Would You Run?’ from ‘Thirteen Years Gone By…’ is in production at the moment. I’m also figuring out my next acoustic record, and I do everything DIY so there’s plenty to keep me busy! [laughs]
Lee Resistant & The Lost’s new EP, Thirteen Years Gone By…, is out now. Stream and purchase via Bandcamp. Photo by: Chris Forrest at Synicalist Photography.