John Luther is not a man of great style, he is not a hero, he is not a soldier, and although he is a brave man, he is not a man of great bravery. Unlike Dexter Morgan, the voices of demons in his heads are the voices of real people, in their flesh that torment his waking hours. He is not a serial killer but at times, he wants to act like one. He is intelligent, haunted, but a good detective, one who battles as many demons as criminals, and he would be perfect for American television.

Luther is a BBC produced television series that aired in the UK this past May, a brutal, distinctly British examination into the life of a murder detective and the evil within and around. Starring Idris Elba (American audiences will be familiar with him from The Wire and more recently, The Office) as John Luther, the series does not hold back from the always difficult life of a police detective- juggling his disintegrating private life (a crumbling marriage) with that of a crime fighter. While topically familiar, it is the method in which this 6-part series plays out that makes it truly memorable. Like The Wire, there is an honesty that paints a picture of grit and turmoil, an underlying imperfection that plagues Luther as a man. When the series begins, Luther is recovering from a botched assignment in which his mental well-being is put into question. Suspension from duty leaves him with nothing but his thoughts to contend with and from here, we see the character’s many layers unfold.

Through circumstances (details withheld to prevent spoilers) he meets a psychopathic woman named Alice Morgan (played with an eerie brilliance by actress Ruth Wilson) that serves as a catalyst for Luther’s constant battles with himself. Alice tortures him mentally, and the fragility of his mind comes as the cost of those around him (most notably his wife Zoe (Indira Varma). His struggles to maintain these pieces gives him an edge over more noted American television characters- who while are dealt with certain turmoil, are never quite taken down a path so dark that we, as the audience, feel genuine fear and sympathy. Unlike the Horatio Caines of the television world, the series creators seem unsympathetic towards Luther- making him strong one moment and distinctly weak the next, almost crippled. Dexter Morgan is perhaps the most similar character on television- except his demons aren’t real- they manifest themselves in his head from ghosts of his past. John Luther however, is tormented by someone who will call him on a miserable afternoon to torture for pleasure.

Procedural television series (CSI, Cold Case et al.) will sometimes have longer story arcs that prevail over the course of the season or over a few, but they will linger, leaving the audience rather exhausted over the 22 (or how ever many) episodes. Luther however, gives you 6 in which all the drama plays out with great urgency. Much of the series is beautifully shot amongst London’s monolithic cityscape. There is great use of light and momentary pauses that enhance the atmosphere of the show. Unlike the machine gun editing of their American counterparts- Luther benefits from the slower, more natural scene-to-scene transitions that rely on a little patience and imagination to hold the viewer’s attention.

Tony Soprano is long gone and time will tell whether the new series of Dexter (does Rita become another ghost in his head?) will hold as much as the previous, American television needs another strong, multi-faceted but fragile leading man. Compelling dramas like Luther come every so often to HBO, series that leave the audience with a sense of accomplishment and intrigue. The ground may have already been covered before but rarely has it been done with such conviction.

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[…] left? A chance for television redemption. What if AMC took a cue from short run English dramas like Luther and structured the proposed second season as no more than 4-6 episodes? What if they wrap it up and […]