When I first visited Princes Park at the age of four, perched on Coke cans with head bobbing curiously to view the action, I knew nothing of what impact the team wearing navy blue would eventually have on my life. I knew only that we supported Carlton.
There was no choice in the matter, no decision making process or weighing of the pros and cons. Most of the surrounding throng seemed to agree, with only a spatter of Fitzroy colours to highlight that an alternative existed.
I had been to see a match the previous season, but this was my first taste of the place that was to become as familiar as the living room.
I knew nothing of Carlton’s history of success or failure, nothing to determine whether this life-long inheritance was a sound one. I’d have been just as enthralled and bemused, I’m sure, had I been sporting a Lions scarf that day, and I’d have also been a devastated teenager when the league sent them north to Brisbane. My first hero was Paul Meldrum, but when Stephen Kernahan hoisted the 1987 premiership cup my fate was sealed.
By age six I was a fully-fledged obsessive, never without a football in hand and wearing out videos of The Footy Replay, at times the entire commentary seeping into my subconscious and peculiar facts regarding Carlton lore as customary to me as the Six Times Tables.
What was Bruce Doull’s original number and why did he change it? For how many years did Craig Bradley wear the exact same jumper? At which game did the “woof” for Ang Christou begin? Every incongruous question had an answer and I was at the ready to provide it quicker than the Princes Park scoreboard.
Similar tales are not uncommon, and despite the jibes about Richmond supporters having kids being tantamount to child cruelty, very few rue their lot.
This season marks the 150th since the formation of the Carlton Football Club, the most successful club in the history of the VFL/AFL (with 16 Grand Final wins) and one that – with a total of 23 premierships – have been champions more times than any other Victorian club. The dispute over the validity of the success of clubs from other states either prior to or since the AFL-rebadged itself in 1990 is one for another time, and in any event doesn’t detract from Carlton’s remarkable record.
Carlton are the third such AFL club to reach this milestone (behind Melbourne and Geelong) and are thus the oldest suburban team in the country, and amongst the oldest football clubs in the world. Where Carlton differs from all others is that since their formation in 1864 they have played 149 consecutive seasons without interruption (Collingwood, formed in 1892, are the only other club to have completed every league season since 1897).
While the modern history of the club is less glorious, the Blues have saluted every 6.7 years on average since that first season in 1864, and it is with this in mind that 2014 holds a very special place for all whose heart beats blue. The term is bandied about too often, but it cannot be disputed that Carlton is a truly great football club.
The key to Carlton’s outstanding success has been consistency. While Collingwood led the league premiership table for more than half a century, 11 of their 15 flags were won by 1936. Carlton, on the other hand, won eight in each half of the 20th century, finally claiming sole bragging rights in 1982, a position they have held either alone or with Essendon ever since. Equally, none of the traditional league clubs can claim supremacy over the Mighty Blues, with Carlton holding a positive win/loss record against all of them.
The highlights have been many. From becoming the first club to win a treble of successive league flags to the “Bloodbath” glory of 1945 and overcoming the biggest deficit in finals history in 1970, on and on the successes came for what was the richest and most powerful club in the new world of the John Elliott-led 1980’s, yet even then there were greater heights to scale. In 1995 Carlton set a new standard and the team came to be known as the record-breakers, sailing through the home and away rounds with an unprecedented 20 wins before cruising to an authoritative premiership victory.
In the first 100 years of league football Carlton had won more premierships than any other, beaten all of their competitors head to head and had never finished last. That is an incredible record.
When the Blues shocked everyone – including themselves – with a one point win over Essendon in the 1999 Preliminary Final, no one could have predicted that the team and club would hit rock bottom just three years later.
The club failed to net that 17th flag, so anyone under the age of 20 grew up with a rare beast: a mediocre Carlton. The 2000-2009 decade was the first since the fifties, and only the third in league history, not to feature a Carlton premiership. While finals wins in recent years are beginning to turn the tide, it has skewed the perception of Carlton as one of the league heavyweights amongst the new generation.
The Blues may have been the worst team in the competition, stripped of draft picks and pilloried as the laughing stock of the game, yet one fact will in time prove salient: they were only out of the finals for seven years. A lesser club wouldn’t be here at all.
It is in times of despair that faith is tested, yet even those dark years brought highlights. Despite the mounting wooden spoons and losing the beloved Princes Park as a league venue, there was still Fevola or Judd or an upset win over Collingwood to keep the fire burning. While in childhood I craved only success, adulthood and a change of fortunes conveyed a deeper understanding of what the club meant to me. Like caring for an ill loved one, my devotion was given a sharper focus when the chips were down.
Someone once said that to see Carlton is to be Carlton, and it rings true. All of the old clubs have their idiosyncrasies, but nothing matches the genuine belief that no matter the score we can still do it, just because we’re Carlton.
Big enough to be a major player yet not so large that every second person supports us, belonging to the Carlton Football Club is a special kind of gift. Unlike in English football, our supporters are separated, making group singing difficult. What other set of barrackers are arrogant enough to begin a rendition of the theme song before the game is even over? We do it at Carlton.
Mick Malthouse and Marc Murphy, fresh from the pulsating and unexpected finals win over Richmond that typified the Carlton spirit, have the honour of leading the Blues into this landmark season, and students of history will be well aware that prior to the breakthrough premiership of 1906 Carlton had endured 19 barren years. The distant ‘95 triumph marks the very same period of time.
Few things will bring a grown man to tears, but the love of a football club can be one of them. Despite the intervening years, the changing face of football and the depressing understanding of what can realistically be achieved in any given year, the excitedly nervous kid peering through the crowd to see The Blue Boys in action remains.
Here’s to the next 150.
AEW and the Way Forward for Pro Wrestling
With their first PPV success in the books, a new TV deal signed, we crystal ball what is in store for AEW, as well as predict the future for WWE.
In the second part of our AEW special feature, we continue the discussion of fledgling professional wrestling promotion All Elite Wrestling. In our first part, we covered their new television deal with WarnerMedia channel TNT- once home to WWE’s chief competitor and losing pugilist in wrestling’s Monday Night Wars that took place in the late 90s.
We now turn our focus on AEW’s future in the ring and talk about the current and future stars of the promotion and ask the question, who will be their rising star and first champion? We also spotlight the year ahead for AEW and what fans can, and should, expect from the company before wrapping up the feature with our look at the next 5 years of professional wrestling. We crystal ball what is in store for AEW and the mountain of sports entertainment, WWE.
Who Will Be the Rising Star of AEW?
It is perhaps a bit strange to nominate Kenny Omega as a rising star, considering he’s been widely regarded as the best wrestler in the world for several years now and was subject to a huge cash offer to join WWE, but the reality is that Omega isn’t really known to people outside the Internet Wrestling Community. With the might of the TNT corporate muscle behind him, it’s time for the Best Bout Machine to be delivered to the masses.
Beyond Kenny Omega, the most obvious pick to be a breakout star is Pentagon Jr. From his days on the much loved Lucha Underground where he transformed from evil villain into badass anti-hero, Pentagon Jr has already developed a cult following that seems ripe for expansion. With the best catchphrase in wrestling (Cero Miedo) and an incredible moveset, it won’t take long for Pentagon Jr to get over with the crowd despite the language barrier.
Managing Fan Expectations
So far AEW hasn’t put a foot wrong; it’s constructed an exciting roster of talent, signed a big TV deal and its first show was a runaway success. Since Double or Nothing, social media has been awash with praise, rave reviews and think pieces about AEW’s golden future. Yet all the positivity and good vibes need to be taken with a grain of salt. While Double or Nothing was a terrific show, it was made to feel all the better against the drivel that WWE is force feeding its audience. Anything looks brilliant when compared with the current state of affairs in Stamford and it’s not surprising that fans are flocking to AEW and its promises of a better, more intelligent wrestling product.
But it’s worth remembering that the highest point is reached just before the fall. Fans will need to prevent their emotions from running too far ahead. AEW will have missteps along the way. Some storylines won’t go exactly to plan. Some angles will not work out and some feuds will be disappointing. It will be important for fans to expect some bumps in the road and to keep a fair perspective on the product before rushing to snap judgments in the heat of a social media moment.
Who should be the inaugural AEW Champion?
In the aftermath of Double or Nothing, it was announced that Chris Jericho will face off against Hangman Adam Page for the honor of being the first wrestler to raise the championship belt that Bret Hart debuted to a shocked Las Vegas crowd. The match will take place at their next major show, All Out, in Chicago at the end of August.
This booking is smart. Jericho is the legend whose presence automatically brings legitimacy not just to AEW but to whoever he’s in the ring with, while Page is immediately been pegged as one of the young studs that AEW is hoping to build around.
Diehard fans will want to see Page be crowned champion, but pro wrestling is all about, long term storytelling, gradual builds, and delayed gratification. Page is undoubtedly championship material and AEW is wise to hitch their wagon to his star, but he’s still a relative unknown. What better way to build him up by having him lose to Jericho in their first match, most likely through nefarious means, then tell the story of the rookie chasing down the veteran over several months.
Jericho winning now will give prestige to the belt and make Page’s eventual victory all the more meaningful and satisfying for the crowd. As wrestlers since time immemorial have always said: “the money is in the chase.”
Predictions for the next 12 months
Last week Jon Moxley gave a tell-all interview on Chris Jericho’s podcast Talk Is Jericho. Over 90 minutes Moxley pulled back WWE’s curtain to reveal a stifling and idiotic creative process that has seemingly led to several unhappy performers biding their time until they can escape WWE for pastures new. Fans were shocked by what they heard, yet they weren’t surprised by what Moxley said, rather they were shocked by how much Moxley’s revelations corroborated the rumors and innuendo that have been haunting WWE’s creative process for over a decade.
Naturally, upon hearing Moxley’s account, fans immediately began fantasy booking all the wasted WWE talent that will be gracing an AEW ring in the near future. Yet while we can’t stop rampant speculation over who might jump ship, we shouldn’t expect more than a handful of WWE stars to switch to AEW. There also won’t be any main event or upper card talent leave WWE. What we can expect is to see some overlooked and wasted lower-card performers move over. Tag teams such as The Revival and The Club seem tailor-made for AEW and now that they have a viable alternative to languishing in the WWE doldrums, there’s a good chance that some of them will head to TNT’s new show.
The great unknown is Sasha Banks. The victim of misuse and bad booking, Banks is allegedly unhappy with her status in the company and wants out. In the past, WWE might have granted her wish, comfortable in the knowledge that there wasn’t anywhere she could go, but now that AEW is on the scene, there is no way WWE will fathom allowing someone like Sasha Banks and her potential for megastardom to join their competition. If WWE was unwilling to release the unused and forgotten Luke Harper from his contract despite not having anywhere near the star power of The Boss, there’s zero possibility of WWE setting Sasha Banks free.
TLDR: One or two ex-WWE talents will join AEW at some point in the next twelve months but don’t expect a stampede. Instead, AEW will need to rely on its creative booking and match quality to build their roster of unknowns into stars.
What will wrestling look like in five years?
The last few years really have been the best of times and the worst of times for pro wrestling. The standard of in-ring action has never been higher with breathtaking athleticism almost taken for granted in every match, the WWE roster has never been this loaded top to bottom with incredible performers and thanks to the power of the internet, indie wrestlers have been able to build huge fanbases by themselves that would have been impossible even a decade ago. Wrestling has also gained a level of mainstream recognition that it hasn’t had for twenty years and in October WWE’s second show, Smackdown, will debut on Fox Sports in a huge multi-million dollar that will flood Vince McMahon’s wallet with even more cash.
Yet for all that, there is an undeniable smell about the WWE product. Repetitive booking, various members of the McMahon clan putting themselves over at the expense of the actual wrestlers, a never-ending series of pointless and meandering promos that always end up with a three-man tag match that already happened the previous week and that’s just the first hour. Then when you factor in the prevalence of juvenile and childish angles at a time when the wrestling audience is skewing towards older men who want more logical and sophisticated storytelling that doesn’t make them feel stupid for spending their time watching men and women fake punch their enemies, it’s unsurprising that there’s considerable dissatisfaction with WWE.
It’s in this context that the arrival of AEW has been so eagerly anticipated among wrestling fans. Given the state of WWE, AEW has a golden opportunity to carve a market share for itself.
While it’s nigh impossible that AEW will ever supersede WWE as the biggest and most well-known wrestling company in the world, the very presence of AEW on a major television network will force WWE to look more closely at what it’s presenting to audiences on a weekly basis. For the first time in nearly twenty years, WWE is facing external competition. If AEW can garner any kind of critical acclaim and further momentum behind it, logic suggests that WWE will be shaken from its creative stupor and begin rejuvenating its storylines to keep pace with the upstart company from Jacksonville and keep the attention of a fanbase that will suddenly have a viable alternative to WWE.
What could this rejuvenation look like? Believe it or not the best wrestling brand on the market right now, isn’t AEW and it certainly isn’t Raw or Smackdown but rather it’s WWE’s third brand, NXT.
While NXT is still nominally WWE’s development brand where young prospects hone their craft and characters before being promoted to the bright lights of Raw or Smackdown, NXT has grown into something far more than that. Its incredible matches and long-form storytelling that add layers to the characters and culminate in the quarterly Takeover specials have become the modern pinnacle of the artform. NXT by itself is enough to justify a subscription to the WWE Network.
So far NXT has existed mostly in its own little universe and none of its unique flavors has found its way to Raw despite its obvious success. The emergence of AEW could force the WWE to integrate more elements of the NXT style into the rest of its products and finally put aside the stale and frustrating crutches that have plagued Raw and Smackdown for years.
Long term it’s hard to project where AEW will be in five years. There are so many variables. Its best wrestlers could get godfather offers from McMahon, the ratings may not be there or TNT might decide to pull the plug. Regardless, wrestling fans can’t lose. More wrestling shows means competition and competition will compel WWE to stop resting on its laurels and lift its game. Even if you’re the biggest WWE mark this side of a McMahon family dinner, you should be cheering for the success and good fortune of Cody Rhodes, the Young Bucks, Kenny Omega and AEW because their already considerable achievement of building a wrestling promotion from nothing will go a long way to determining the quality of the wrestling we will be watching into the future.
Before Expectations Start Running Wild: A look at AEW’s television future
We analyze what wrestling fans can expect to see when AEW makes its TV debut in the coming months
After selling out the GM Grand in less than five minutes and months of steady hype that had wrestling fans dreaming of a new golden age for spandex-clad entertainers, the new wrestling promotion “All Elite Wrestling” staged its first major show, Double or Nothing.
For the uninitiated, AEW is the brainchild of a coterie of indy wrestling savants and backed by the billionaire Khan family who also own the Jacksonville Jaguars and Fulham Football Club in England. AEW’s roster is loaded with the cream of the wrestlers plying their trade outside WWE and topped off by the star power of the legendary Chris Jericho.
Despite the odds being stacked against it- launching a new company in a monopolised industry, dealing with the unreasonable expectations of a rabid and hypercritical fanbase and a last minute change to the card after one of company’s biggest talents dropped out due to creative differences- AEW’s debut can be considered nothing less than a major success. Delivering stellar in-ring performances that catered to a wide variety of wrestling styles as well as providing genuine surprises that shocked and thrilled the audience, the internet wrestling community was left buzzing as they pondered what could happen next.
In the lead up to Double or Nothing, the company announced a TV deal with major network TNT that will see them launch a weekly wrestling show, rekindling memories of the fabled Monday Night Wars of the late 1990s. Despite the runaway hype social media and Reddit, AEW has been careful to reiterate that it isn’t trying to compete with the monolithic WWE but instead is promising to offer an alternative wrestling product to bored and lapsed fans who have become tired with what Vince McMahon and co have been serving up. Yet while it would be foolish to say the nascent AEW poses any kind of commercial threat to WWE, there can be little doubt that it does present the first genuine competition it’s faced in two decades.
In an ongoing series, the experts at Sound the Sirens analyse what wrestling fans can expect to see when AEW makes its TV debut in the coming months.
The Weekly Television Grind
Billy: One of the best things that AEW has going for it now is its scarcity in programming. Each AEW event is a big deal because we’ve waited months to see what they’ve concocted. The fear is that once the weekly television grind kicks in, the surprises and ideas that work become formulas, and then the formulas become repetition, and then the repetition becomes the grind. Like any good television show, the anticipation of any quality programming tapers off when the weekly wait becomes less- bi-weekly, or even daily. AEW events will become episodes and the fear is that the depth-pool of the AEW roster at the moment isn’t quite deep enough to sustain weekly television. Watching the Rhodes brothers feud weekly is a wonderful concept, and the thought of Kenny Omega and Jon Moxley battling it out week in and week out is fantastic, but what happens if Cody is out injured? Or Chris Jericho? What if Mox is out long-term like he was all through 2018? Sure MJF is a future heel superstar, but at the moment, Miz 2.0 isn’t going to cut it. You can sustain the drama when the injury replacement for a major title push is Kofi Kingston, but when it’s Jungle Boy? I don’t think so.
Brad: Anyone who doubts the impact that the weekly grind of television has on wrestling need only watch a few episodes of Raw and Smackdown. Even the epic Becky Lynch storyline that dominated the last six months of Raw huffed and puffed down the final stretch. As Mania drew nearer, the storyline became increasingly circular and convoluted as the creative team struggled to find ways to pad out an angle without actually moving it forward in any kind of way that would take away from the inevitable payoff at the Showcase of the Immortals.
This isn’t meant as a criticism of WWE, as the Lynch storyline was one of the best things to happen in wrestling for years, but a reminder of just how difficult it is to plot an ongoing weekly series and maintain audience engagement. This grind could be mitigated by keeping the show to two hours and perhaps using a periodic season break to allow the talent to refresh and audience interest to replenish.
There’s a reason that the unexpected return is one of wrestling’s greatest tricks- absence makes the crowd’s heart grow fonder.
How AEW manages the weekly format will be one of the biggest challenges it will face.
What has AEW and TNT brass learned from Nitro?
Brad: One distinct pothole that AEW has deftly sidestepped which doomed WCW and multiple reincarnations of TNA and Impact Wrestling, is opening up the checkbook to overpay for washed up or overrated WWE talent. Instead, AEW has opted to sign the best young talent available outside WWE with the intention of creating their own stars that they can mold and develop.
While some might point out that Double Or Nothing ended its show with WWE legend Chris Jericho in the main event and ex-WWE outcast Jon Moxley standing tall, both those signings serve distinct purposes. Jericho is the legend that brings gravitas to the fledgling brand and will help put over the younger but less identifiable talent on AEW’s roster. Meanwhile, Jon Moxley, criminally wasted and underutilized by Stamford, is still in his prime and already has fans fantasy booking matches with Kenny Omega and Hangman Page.
Billy: Television fatigue is a real thing, and while AEW has the luxury of a blank canvas, TNT does not. TNT is a television company that needs to abide by ratings and regulations- something AEW has not had to worry with their two PPVs.
In the WWE Untold episode ‘The Failed Relaunch of WCW’, we learn that the deal that would have seen Eric Bischoff’s Fusient Media buy WCW from Turner soured because then Turner executive Jamie Kellner balked at the idea of giving Fusient Media a weekly two-hour block on Wednesday night for WCW. In the end, the deal fell through because Kellner just didn’t want wrestling on TNT. It’s the nature of the television business as ratings rise and fall and executives come and go. AEW will now have to maintain quality week and week out, something they have not had to do.
One advantage WWE has right now is that if RAW stinks and Smackdown is a bore, you can watch NXT, or even 205 Live (or fire up the network to watch old episodes of RAW), but if AEW stinks, you just turn it off.
On the flipside, AEW has the advantage of being a surprise. Perhaps we have been absolutely ravaged by all the episodes of television ads interrupted by RAW, or that IMPACT has changed networks more times than we can remember that we’ve become so jaded and cynical about the potential of AEW on TNT. But maybe AEW will subvert our expectations of what weekly episodic professional wrestling can be and that TNT will let them do their thing. The best thing that can happen? Old curmudgeon channel changers like myself will be left eating crow every Wednesday night.
IN PART 2: Sound the Sirens turns our crystal ball on what we think will happen in the early days of AEW and who will be the breakout star.