Willie Nelson’s “Sad Songs and Waltzes” and the Art of Alienation
A Night with Northlane
Crossed Keys – Saviors
Every last time: Revisiting Gameface’s “How Far Is Goodbye?”
Pine – Pine
Election still wins by a landslide
Film Review: It Chapter Two
Once Upon a Time in Hollywood, Fight Club, and the Quest For Authenticity
Film Review: Hobbs & Shaw
Lars Klevberg’s Child’s Play Reboot: From Magic to Materialism
Why Fleabag was the most important show of 2019
Homelander is humanity’s most accurate superhero
Another Case of Willed Amnesia: Bob Dylan and the Rolling Thunder Revue
Swamp Thing: The Futility of Saving a Good Thing
Netflix’s Street Food is a disjointed but sincere ode
Divided We Fail: How Individualism is Holding the U.S. Back
Ramsay and the Rabble: Miseducation at the University of Queensland
If U.S. presidential candidates were rock bands they’d be…
Make Dodgeball Great Again
The Art of Corporate Pandering
The Sad Demise of Bolton Wanderers Football Club
The Long Goodbye: A Spurs fan’s final salute to Kawhi Leonard
AEW and the Way Forward for Pro Wrestling
Before Expectations Start Running Wild: A look at AEW’s television future
WWE’s Meh Movement
The Double is remarkable for just a second feature film and confirms Richard Ayoade as one of the most exciting directors working in cinema.
