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Slowly Slowly and their “Jellyfish”

Do you remember those times around the lake with your friends? Drinking beer on houseboats, soaking in the sun and hooking up? Melbourne indie rock band Slowly Slowly do. At least if you listen to their latest single “Jellyfish”

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Slowly Slowly
Slowly Slowly

Do you remember those times around the lake with your friends? Drinking beer on houseboats, soaking in the sun and hooking up? Melbourne indie rock band Slowly Slowly do. At least if you listen to their latest single “Jellyfish”, a throwback to pop-punk influenced rock that found its way on a dozen late 90s teen movie soundtracks.

“Jellyfish” is all bubblegum melodies, hooky choruses and sweet sunny vibes, a song frontman Ben Stewart says is;

“about that out of body experience you get sometimes when you are looking at the world. Sometimes everything just seems so ridiculous – the concept of existing, being in a body, our interactions with feelings and emotions and this wacky 3D landscape we walk around on from day to day which we tell ourselves is normal”.

Squint a little and that means it’s about getting drunk on a houseboat with your friends. Slowly Slowly released their full-length album St. Leonards last year on UNFD and were recently announced as performers at this year’s Splendour in the Grass. They are also supporting indie darling Amy Shark on her upcoming tour through Australia in May.

Check out the new song “Jellyfish” below. Pretty good.

New Music

Killswitch Engage reveal “Unleashed”, set date for Atonement

Killswitch Engage’s new album is a reflection of perseverance

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Massachusetts metalcore band Killswitch Engage have announced the release date for their upcoming 8th studio album. Titled Atonement, the album is due for release August 16th on Metal Blade Records, and is the follow-up to 2016’s Incarnate. To preview the album, the band have revealed the first single from the release, the opening track, “Unleashed”, which you can listen to below.

Regarding the new single, vocalist Jesse Leach has said about the song;

“Unleashed is about inner passion and rage coming up to the surface. We all have that wild within that often stays dormant until a tragic event triggers and awakens it. This song is about that awakening within”

The new album is the third album to feature Jesse Leach after his return in 2013’s terrific Disarm the Descent. Atonement’s most anticipated song perhaps (at least in our eyes), is the second track “Signal the Fire”, which features guest vocals from the man who voiced KsE for a decade, Howard Jones. We have fluctuated between preferring Leach at the vocals to Jones at the vocals all through the KsE discography- teased by how Leach songs sounded with Jones singing (“Fixation on the Darkness“) and how Jones songs sounded with Leach singing, but the thought of having them both sing together on one song………………

Atonement has been in the making since 2017, but was temporarily derailed after Leach had to undergo throat surgery. Killswitch Engage will hit the road across North America all through July before jetting off to Europe in October.

Listen to “Unleashed”:

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Trivium cover Dead Kennedy’s “Kill The Poor”

All systems go to kill the poor tonight

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Heavy metal band Trivium have been releasing bonus and unreleased tracks over the past few months. The songs have come from the recording sessions for their 2017 album The Sin and the Sentence. They’ve released a few unreleased originals and recently released a pretty faithful cover of the Type O Negative track “I Don’t Wanna Be Me“. The band have now released their similarly faithful cover of the Dead Kennedy’s 1980 single “Kill the Poor”.

The original was featured on the Dead Kennedy’s debut album Fresh Fruit for Rotting Vegetables, released in September of 1980 on Cherry Red Records and Jello Biafra’s own Alternative Tentacles (the noted label’s first full length release). The album features noted DK tracks “California Über Alles” and “Holiday in Cambodia”.

Trivium’s cover is pretty spot on and doesn’t deviate from the original, but it doesn’t quite capture the wildly fluctuating vocal tone that Jello Biafra is known for. Still. A good cover nonetheless. Check it out above.

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