Summer 1985. The first wave of punk has long since burned out into a pitiful malaise of nihilism and drugs. Its successor- the American hardcore scene- once a shining beacon of DIY work ethic and righteous anger had been overrun by muscleheaded thugs more interested in brawling than jamming. Where to for those still wanting to be a part of something greater? Something pure and something heartfelt? This was the question the musicians of Washington D.C in 1985 had to confront. Their response? Cast aside everything that came before and rebuild. The summer of 1985 was to be the Revolution Summer- everyone was to form new bands and create a new scene, free of numbskulls. Despite its noble intentions, the Revolution Summer and its acts quickly died out after a year, yet within that short time it planted the seeds for the future direction of punk and indie rock. One of those bands to flourish during the Revolution Summer was Rites of Spring.
A four piece fronted by singer/guitarist Guy Picciotto and drummer Brendan Canty, both of whom would soon go on to join Ian Mackaye in the seminal Fugazi, Rites of Spring only played 15 shows and released one album over a two year period. By those figures it would be easy to dismiss Rites of Spring as merely the band Picciotto and Canty played around in before they struck gold in Fugazi. But such an assessment is terribly shallow- Rites of Spring were a great band in their own right. Their body of work would become the template for future post-hardcore bands as well as emo acts. Rites of Spring are often acknowledged as the first “emo” band.
“I’ve never recognized ‘emo’ as a genre of music. I always thought it was the most retarded term ever…”Guy Picciotto, Rites of Spring
Ironically Picciotto hated the term “emo”- “I’ve never recognized ‘emo’ as a genre of music. I always thought it was the most retarded term ever. I know there is this generic commonplace that every band that gets labeled with that term hates it. They feel scandalized by it. But honestly, I just thought that all the bands I played in were punk rock bands. The reason I think it’s so stupid is that – what, like the Bad Brains weren’t emotional? What – they were robots or something? It just doesn’t make any sense to me.”
Rites of Spring and the other bands of the Revolution Summer were the next step in punk’s evolution. The kids that grown up thrashing their instruments in hardcore bands had now developed into talanted musicians and had grown tired of the genre’s strict boundaries and restraints. Rites of Spring were one of the first bands to loosen the chains of hardcore and challenge what a punk band could sound like. The speed and intensity of punk remained but it was combined with melody and introspective lyrics that didn’t just unleash streams of vitriol. Essentially it was punk but with greater emphasis on songwriting.
“I woke up this morning with a piece of past caught in my throat / And then I choked”
Guy Picciotto’s shrill yet captivating voice dominates this track as he laments a painful break up. Picciotto seems on the brink of total collapse and despite the dark nature of his words there remains a glimmer of hope in his delivery. The upbeat guitar and the pace of the track prevents the song from sinking into a mire of tiresome self-loathing and angst. Instead “For Want Of” becomes a song of rare beauty. Yes, it’s about the fallout of a failed relationship and yes it’s dark, however it maintains a passion and sincerity that’s inspiring. It’ll remind you that although this relationship ultimately hit the skids, in the long run the good times will outweigh the bad and that hope endures.
Rites of Spring’s sole studio album, Rites of Spring, was released in June of 1985 on Dischord Records. You can purchase a digital copy of the 1991 compilation edition, combining both the album Rites of Spring and the EP All Through a Life, via Dischord.
Calvin Clone – Machines [single]
Meshed together with the cyber sounds of machines throughout, it’s a weird but working combination
The year is 2040. The war between human vs machine is at the forefront. Is it too late for humans to take back the world from Artificial Intelligence? Are we already outrun by machines? Have no fear, Calvin Clone is here. “Machines” is the first of three singles released by Melbourne artist Calvin Clone. This first track allows listeners to see into the future through song. Setting it simply, according to Calvin Clone, our world is taken over by machines, and I don’t know about you but that doesn’t sound too crazy to me.
Founder and creator of Calvin Clone, Jack Alexandrovics, “combines dance, pop, industrial and rock to create a vision of cyberpunk.” This single shows a great connection music can have between modern and classic interpretation. There is a fantastic guitar riff throughout the song and really stands out when played. Meshed together with the cyber sounds of machines throughout, it’s a weird but working combination.
Alexandrovics’s theatrical voice adds yet another element to the song. He explains that his music is “closer to a theatre production than a conventional gig”. The vocal element in “Machines” exposes an ability to move up and down the scales flawlessly.
It is really exciting to see artists thinking outside of the conventional box. Calvin Clone explores modern and futuristic ideas yet keeps the integrity of a smashing guitar riff and untouched voice. There will be two more singles released by the end of the year which will all be part of his EP Kinetics. Calvin Clone is ambitious with visuals and sonics, and wants the live audience to be fully engaged in all aspects of his live performance. “Machines” has been stuck in my head for days. It’s catchy and engaging and I can’t wait to hear what else may be coming our way. This is only the beginning.
The Ritualists – Painted People
The Ritualists play some determined, strong-willed music
After listening to Painted People by The Ritualists, I was very surprised to learn that this is their debut album. This band shows a maturity in their music that I would not expect from a first album and provides inspirational sounding tracks with ‘reach for the stars’ type of guitar riffs. I hear a modern version of U2 in The Ritualists, along with an influence of Radiohead. Their songs are full, wholehearted post-punk hooks with a lead singer that has a sizeable range.
“Rattles” opens the album, and it’s the type of song that shows their audience that they are here to stay. It has a great build-up of excitement and intensity. The band explains that this song is “A combination of dark, deep-pocketed verses juxtaposed with big, flashy choruses is a key element to tracks”.
“Ice Flower” and “Worthiest One” welcomes an electronic wave to the album and showcases just how impressive lead singer Christian Dryden’s range is. His ability to hit those high notes with such conviction puts my falsetto abilities to shame. “Worthiest One” brings this sort of nostalgic feeling- it’s a rock ballad with a floaty guitar riff.
“She’s The Sun” is a great follow-on from “Worthiest One” as it transfers the mood upwards and directs the music into more of a hypnotic vision, which conveys “the band’s inner Sixties Love Child”. “I’m With The Painted People” has a really relatable background to the song. Dryden felt a larger than life inspiration from people like David Bowie and Simon Le Bon, these artists felt like soulmates, which can be lonely at times. It wasn’t until he ventured out into the clubs of the lower east side of New York which helped him feel comfortable to express his creative vision freely. The song is all about finding like-minded people.
There are hooks galore and catchy choruses in pretty much every song. “With this record, I’ve specifically tried to be anthemic,” admits Dryden. “I’ve always loved going to shows, where immediately after the performance, and even on the ensuing days after, you just can’t help but remember and sing the songs you’ve just heard. It’s almost like a higher form of communication.” The Ritualists play some determined, strong-willed music and Painted People shows hints of variations with different genres explored throughout. They sound motivated and in return have produced motivating music for their listeners.