Three seasons in and Tim Allen’s Last Man Standing is still one of the funniest comedies on television. You read that right. A Tim Allen comedy about a father whose jokes come at the expense of his wife, socialists, hippies, Democrats, racial stereotypes, progressive family structures and big government is one of the funniest shows you’ll watch on TV. Not to mention one of its most rebellious. It’s traditional in every sense of the word; it still boasts a laugh track, the seemingly long lost “this show was filmed in front a live studio audience” intro and of course, many cranky old and traditional values and beliefs.
So why does this make it funny? Because the show isn’t afraid to be unpopular in its ways, and it has no qualms about being tuned in to the seemingly unhip demographic of Middle America; the constant butt of redneck Bible Belt jokes. The show runs against the grain of 2014’s vast landscape of politically correct, progressive and undeniably modern brand of comedy and for it, Last Man Standing should be given some credit for being the lone survivor amongst TV’s PC police. Through its history, the genre has been both a barometer of safe and wildly revolutionary and as time moves on, comedies are seeing a progression in the characters they portray and the stories they tell. Ellen was a landmark moment for Gay and Lesbian acceptance on mainstream television (at least one of its starting points) while shows like The Cosby Show and The Jeffersons broke down stereotypical racial barriers. The success of shows like Modern Family proves that audiences were ready to progress alongside and as the audiences continued to embrace real life characters in 20-30 minute sitcoms, we’re able to see that television is better for it.
What about the show that rebels against these principles but does it without the sneer of hate or discrimination?
As political correctness and progressive ideology become the norm for success on television, Last Man Standing has somewhat quietly stood back from the forward pack and have cut themselves a piece of traditional amongst the vastly left-wing agenda of modern comedy (in this brief interview, Tim Allen speaks about the show “pushing buttons”). Is left-wing comedy unfunny? No, of course not, but there are times when Last Man Standing seems to be the only comedy on TV unafraid to make a joke firmly at the crossroads of Barry Goldwater and Hillary Clinton (in a recent episode Tim Allen’s character Mike Baxter responds to his wife’s quip that “Hilary Clinton used to be a Goldwater girl in 1964”, with “so, Satan used to work for God, what’s your point?”). Their continued mocking of big government, communism and free handouts side by side with light misogyny, sexism and stereotypes certainly is not progressive, but in the show’s writers seem to do so with a big tongue-in-cheek.
In a way, Tim Allen’s character is a self-parodying anecdote of traditional versus progression. He’s your average, successful American entrepreneur who believes in working hard for yourself and your family. He loves football, guns, fishing and hates free handouts. Yet, he’s surrounded in his home by the four women in his family who are a mix of left wing to right, from deep to shallow. Much of his chagrin comes from this- not in a negative way- in a contrasting one. The once popular traditionalism of his kind has become the minority in the new America and while he’s not struggling with it, he won’t back down from a good jibe.
It’s rebellious yet harmless, old school but relevant. And who is to say that one can’t enjoy the comedic touch of popularly acclaimed shows like Parks and Recreation or Community, but at the same time enjoy some good old fashioned laughs in Last Man Standing?
Progressive comedy can be draining, and with CBS often relying too much on hyper sexualized fare, it’s great that there’s a comedy that is self-aware of its place in society today. Last Man Standing is proof that funny works both ways.