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Film Review: Seeing Other People

Seeing Other People can feel like a decent ten-minute skit stretched thin



The throes of relationship instincts, how they have done many a couple harm. And that’s exactly what Wallace Wolodarsky romantic comedy wants you to believe. Ed and Alice (played charmingly by the irrepressible Jay Mohr and Julianne Nicholson) are your average suburban couple; deep into their relationship and recently engaged, Alice becomes insecure about her lack of sexual history. Having only slept with three men prior (plus two botched attempts), she hopes her proposal of promiscuity will help resolve her own insecurities as well as reignite the passion between her and Ed. Met initially with the sort of skeptic humor only Mohr could pull off (2am conversations capped off by “This may sound irrational to you Alice, but I don’t want you sleeping with other men”) and described by her good friend as ‘the whitest thing she’s ever heard of,’ Alice and Ed finally decide that sleeping with other people would indeed, be an idea worth pursuing.

Thus letting loose a cavalcade of sitcom moments and sexual misadventure that is boosted by a well rounded supporting cast. Alice’s sister (Lauren Graham) and Ed’s Hollywood friend (Josh Charles) are all for this experiment, while Andy Richter’s down-to-earth character advocates the cause for the meaningful, monogamous relationship. Tempted by a local contractor, Alice is the first to delve into this seedy escapade. And her quick ascension into the experience throws Ed into confused reluctance. On one hand, he soon realizes this game could end extremely badly, while on the other, opportunity in the shape of Hollywood jezebels and waitresses appears too good to pass up on.

Seeing Other People’s strongest facet comes from Alice and Ed’s rather bumbling nature. Through their desire to experiment, little seems to transpire the way they had initially planned. In both cases, they soon discover that a one-night stand is only so if both parties involved recognize the engagement as one. Before they realize, they become embroiled in not only dealing with their tested relationship, but those that have come by way of this deviant game. This is where the movie falters a little, once the plot expands and the stories of both the main and supporting cast collide, there is a sense that far too many things are happening at once- diluting a little the great chemistry between Mohr and Nicholson (peaking perhaps in Korn’s Jonathan Davis making a cameo appearance- the “what the hell is that guy doing here?” moment).

Seeing Other People can feel like a decent ten-minute skit stretched thin (one-night-stand liaison #1 escapes through bedroom window as partner enters front door type); yet there is an overwhelming warmth and likeness about it. The cast is extremely likeable and the story, while punctured by a few confusing moments, is the engaging sort of material any good Thursday night comedy hopes to land. There is understated comedic raunch (Ed: “I don’t see how you putting a dildo in my ass is a true exploration of my sexuality”), sage relationship advice (Alice’s friend: “Take it from someone who has had lots of meaningless sex, you just wind up feeling spent and all fucked out”), and smart enough comedy to turn recognized relationship humor into something with a little bit of irony and wit. In the end, we are taken aback by how Alice and Ed deal with the arising problems; they are both extremely believable and the movie becomes all the more enriching. We are left with the a notion that maybe having a triple-x sex life isn’t all its cracked up to be; and that sometimes playing scrabble and doing laundry on a Saturday night with someone you love isn’t all that bad either. 

DVD Features: The home edition of the movie is a pretty much run-of-the-mill fair. There are your basic additional features; deleted scenes and commentary from those behind the cameras, but the worthy inclusion is the featurette detailing the ideas of husband and wife writer/director team Wally Wolodarsky and Maya Forbes. They give a little insight behind the initial ideas of the script and how the final product came to fruition. It isn’t the most compelling DVD, but any quality movie deserves a place in your collection regardless of its accompaniment. Seeing Other People is no different.

Directed by: Wallace Wolodarsky
Cast: Julianne Nicholson, Jay Mohr, Lauren Graham, Bryan Cranston, Andy Richter

Film Reviews

Film Review: It Chapter Two

The sweet spot between Stephen King fans, horror fans and (believe it or not) comedy fans



The final installment in the It saga is a clever, scary, probably-too-long allegory about the power of friendship — complete with a 20-foot clown spider. Sure, it’s probably a half-hour longer than it really needs to be — but It Chapter Two is still a fantastic film that hits the sweet spot between Stephen King fans, horror fans and (believe it or not) comedy fans.

It’s a story about friendship, and just like the first film, it’s those relationships that make this story so compelling and keep it woven together in a way that you really care about what’s happening to all the folks Pennywise has been menacing across these two films. Sure, Bill Skarsgård’s absolutely terrifying performance as Pennywise is what puts butts in the seats, but at its heart, this is a story about the power of friendship to win out over pretty much anything. If we work together, we can overcome fear, loneliness, doubt, depression — and yeah — even a supernaturally godlike killer clown. Thankfully, all the blood keeps that message from getting too sappy along the way.

The first It in 2017 was a surprise, monster hit — but for good reason. The Stephen King adaptation by director Andy Muschietti is pretty much a horror masterpiece wrapped in a compelling coming of age story. Think Goonies meets a face-eating monster flick with jump scares galore to keep the blood pumping. But, despite a decently-closed ending to the first chapter, the story was always conceived as a two-part film run, which is pretty much the only way one could hope to possibly wrap up King’s massive tome (the studio actually briefly considered splitting Chapter Two into two films, because there’s just so much material). 

It Chapter Two makes a wise decision to keep the stellar younger cast from the first film involved via ample flashbacks, while still providing space for the adult Losers to live and breathe (and, ahem, die) while bridging the gap between who they were and who they all grew up to be. It also embraces the inherent silliness and insanity of its premise to laugh, now seen through the lens of middle-aged adults as opposed to middle school minds. It’s a hard tone to hit, and it arguably might come off with more laughs than scares, but it’s true to the inherent madness of Pennywise.

The adult cast is also a home run by and large. James McAvoy makes for a capable adult Bill; Jessica Chastain is the embodiment of adult Bev; James Ransome nails grown-up Eddie; and Isaiah Mustafa does a capable job providing the necessary info-dumps as adult Mike. But the real breakout is Saturday Night Live alum Bill Hader as grown-up Richie. There’s scattered buzz that Hader could be worthy of an Oscar nomination for his performance, and he deserves every bit of it. We knew Hader had comedy chops, and he uses them plenty to keep this dark tale from getting too dark, but he really taps into the emotion of what it’d be like to go through something so traumatizing. And the moments that break Richie will almost certainly break you, too.

As for the changes to King’s original novel, sure, they’ll certainly be noticeable for fans. That said, the book itself — especially the ending — is absolutely wild and arguably impossible to adapt in a way that could work on the screen. The ending on-screen largely stays true to King’s themes built into the novel, and for the story that’s been told across these two films, it really does work. Hell, even King himself shows up in a cameo to make a joke about just how hard it can be to get an ending right.

Thankfully, despite a few bumps, It Chapter Two pretty much nails the landing. In a world filled more and more with King adaptations, this two-film run will stand as one of the best.

It Chapter Two is in cinemas now

Directed by: Andy Muschietti
Written by: Gary Dauberman
Cast: James McAvoy, Jessica Chastain, Bill Hader, Isaiah Mustafa, Bill Skarsgård
Distributed by: Warner Bros. Pictures
Run time: 169 minutes

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Film Reviews

Film Review: Hobbs & Shaw

If you’ve already got the volume at 11, you might as well blast it to oblivion



Hobbs and Shaw

It is hard to believe that 2001’s The Fast & The Furious was just a film about the underground culture of street racing. Fast forward nearly 20 years later and the films have gotten so ridiculous that the only logical next step for the film series is to blast it into space. Our endless appetite for the series has seen us grown accustomed to cars taking planes out of the sky (Fast 6), cars jumping from one building to another (Fast 7), and cars being remotely controlled to act like a pack of mechanical wild dogs (Fast 8). Ridiculous is not a barrier the film series will ever brake for and so it brings us to this, the biggest spin-off the series has seen, Hobbs & Shaw.

When the chemistry between The Rock and Jason Statham proved magic in Fast 8, it only took The Rock butting heads with Vin Diesel to see that logically, the series needed a freshness to it. Who better than Dwayne Johnson and Jason Statham? Well, as Hobbs & Shaw proves, if you’ve already got the volume at 11, you might as well blast it to oblivion as the film cares not for subtlety, pouring gasoline on the fire. The film sees the addition of Idris Elba as supervillain Brixton Lore and the effervescent Vanessa Kirby as Hattie Shaw, the sister of Statham’s character. Both characters fit in superbly well to the colorful, over-the-top personas of the series, but with one difference; they haven’t worn thin yet and are extremely likable. The film benefits greatly from the absence of Vin Diesel’s dopey head and the majority of the dopey Fast “family”, instead taking the Fast and Furious formula and giving it a spit shine, turning it sideways, and sticking it right up… well, you know the drill.

Hobbs (Johnson) and Shaw (Statham) play the unlikeliest (but most charismatic) buddy cop twosome since the days of Eddie Murphy and Nick Nolte. Unexpectedly, this film is really quite hilarious- with the two swapping one-liners and jibes that keeps the film light and funny. The two are tasked with stopping global genocide at the hands of the megalomaniacal terrorist organization known as Etheon. The “face” of Etheon is superhuman Brixton Lore (Elba), an agent left for dead and turned into a weaponized cyborg-esque villain using genetic engineering. He’s the “black Superman” as he says, and he’s got an array of tech and gadgets (including a transforming, autonomous motorbike that would have found itself at home in a Transformers movie) that are part of Etheon’s plan to rid the world of the “weak”.

Vanessa Kirby
Vanessa Kirby is one of the highlights of Hobbs & Shaw

Etheon are after a deadly virus that is in possession of Hattie Shaw and what ensues is the expected cinematic equivalent of flexing your muscles and undoing the top few buttons of your blouse soundtracked to explosions, fast machines, and zippy dialogue. Director David Leitch (Atomic Blonde, Deadpool 2) keeps things by the book, and visually it’s all very on brand with the film series. But it is the chemistry and likability of the stars- namely Kirby, Statham, and Johnson- that keeps Hobbs & Shaw light on its feet, big with its set pieces, and never a chore. Kirby, in particular, has shown that her action chops are as deadly as her acting chops (is it too late to make her Black Widow? Or maybe just put her in all the action films). She never spends the film waiting to be rescued and is often the one quelling the childish, but hilarious quarrelling between Statham and Johnson.

The film trades the tired Fast family for real blood family, and while we still get the whole “family” and “heart” spiel that Vin Diesel loves to harp on about in these films, there is definitely a welcome change to the last few films. In fact, the Fast films haven’t been this fun in a long time. Unlike the last few, Hobbs & Shaw knows that the stakes of the film are global, but never does it take that too seriously and we the audience never feel too burdened by the ridiculousness of it all. There are some great cameos (two unexpected stars pop up that add the right comedic touches, plus Helen Mirren is always brilliant) and while the changing of scenery to Samoa is reminiscent of the previous Fast family vacations to South America et al, there’s something spiritual about this trip.

In the end, you don’t even have to turn your brain off because the film is soaked in charm and lightness that makes for a fun, smart enough romp that keeps its two-plus hour run time feeling like quite a breeze. Hobbs & Shaw is what this film series desperately needed. And while we can’t say the appeal will still be there when we’re inevitably sitting through Hobbs & Shaw 2, 3, 4, 5… we can say that for now, we’ll live this life one spin-off at a time.

Directed by: David Leitch
Written by: Chris Morgan, Drew Pearce
Cast: Dwayne Johnson, Jason Statham, Vanessa Kirby, Idris Elba, Helen Mirren
Distributed by: Universal Pictures
Run time: 135 minutes

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