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Chamberlain and “Some Other Sky”

Americana-influenced indie rock band Chamberlain have returned to release the new single “Some Other Sky”, the band’s first release since the 2010 single “Raise It High”.

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Chamberlain

Americana-influenced indie rock band Chamberlain have returned to release the new single “Some Other Sky”, the band’s first release since the 2010 single “Raise It High”.

Chamberlain first came to prominence as post-hardcore band Split Lip, before reverting to the Chamberlain name and releasing the magnificent The Moon My Saddle on Doghouse Records in 1998. The band released another full length, the underrated Exit 263, and a collections album, before calling time in the early 2000s.

We spoke to David Moore, vocalist for Chamberlain back in 2002(!), not too long after they had wrapped up their initial run. It is one of our fondest interviews and we recommend you checking it out and reading up on a little Chamberlain history.

“Some Other Sky” picks up where “Raise it High” left off, painting the lush American sounds the band are known for. The single is paired with the B-side “Street Singer”, a reworked version of the song that appeared on their debut (and Split Lip album) Fate’s Got a Driver. David Moore has a distinct voice, and paired with the songwriting of Adam Rubenstein, “Some Other Sky” is trademark Chamberlain. The song is a warm embrace returning from a cold, cold winter.

Listen to “Some Other Sky”:

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Killswitch Engage reveal “Unleashed”, set date for Atonement

Killswitch Engage’s new album is a reflection of perseverance

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Massachusetts metalcore band Killswitch Engage have announced the release date for their upcoming 8th studio album. Titled Atonement, the album is due for release August 16th on Metal Blade Records, and is the follow-up to 2016’s Incarnate. To preview the album, the band have revealed the first single from the release, the opening track, “Unleashed”, which you can listen to below.

Regarding the new single, vocalist Jesse Leach has said about the song;

“Unleashed is about inner passion and rage coming up to the surface. We all have that wild within that often stays dormant until a tragic event triggers and awakens it. This song is about that awakening within”

The new album is the third album to feature Jesse Leach after his return in 2013’s terrific Disarm the Descent. Atonement’s most anticipated song perhaps (at least in our eyes), is the second track “Signal the Fire”, which features guest vocals from the man who voiced KsE for a decade, Howard Jones. We have fluctuated between preferring Leach at the vocals to Jones at the vocals all through the KsE discography- teased by how Leach songs sounded with Jones singing (“Fixation on the Darkness“) and how Jones songs sounded with Leach singing, but the thought of having them both sing together on one song………………

Atonement has been in the making since 2017, but was temporarily derailed after Leach had to undergo throat surgery. Killswitch Engage will hit the road across North America all through July before jetting off to Europe in October.

Listen to “Unleashed”:

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Trivium cover Dead Kennedy’s “Kill The Poor”

All systems go to kill the poor tonight

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Heavy metal band Trivium have been releasing bonus and unreleased tracks over the past few months. The songs have come from the recording sessions for their 2017 album The Sin and the Sentence. They’ve released a few unreleased originals and recently released a pretty faithful cover of the Type O Negative track “I Don’t Wanna Be Me“. The band have now released their similarly faithful cover of the Dead Kennedy’s 1980 single “Kill the Poor”.

The original was featured on the Dead Kennedy’s debut album Fresh Fruit for Rotting Vegetables, released in September of 1980 on Cherry Red Records and Jello Biafra’s own Alternative Tentacles (the noted label’s first full length release). The album features noted DK tracks “California Über Alles” and “Holiday in Cambodia”.

Trivium’s cover is pretty spot on and doesn’t deviate from the original, but it doesn’t quite capture the wildly fluctuating vocal tone that Jello Biafra is known for. Still. A good cover nonetheless. Check it out above.

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