If there is a band today that is firmly in-tune with their listeners, it’s Cleveland rock band Heart Attack Man. They are millennial renaissance men, capable of shattering your musical foundation with one listen, but also intrigue, confuse, and mesmerize you with their adept use of media.
Fresh off the release of their latest album, the dizzyingly good Fake Blood, we chat to frontman, guitarist, and songwriter Eric Egan. We talk as they head out on the road across North America in support of Fake Blood and discuss social media, the new album, and what to expect from their live shows.
New album done, how does it feel?
Feelin’ good feelin’ great 🙂
How did you guys get together as Heart Attack Man?
It started off as a solo studio project of mine that I originally didn’t plan on playing shows with, but it became a full band; starting off just playing locally and growing ever since then. Adam has been drumming since the beginning and we’ve gone through a couple member changes, but Ty and Seamus have been in the band for a couple years now.
I’m listening to Fake Blood and I’m thinking that sonically its like the best of Rivers Cuomo except with balls. There’s a lot of fire in the album- there’s urgency and anger. What were some of the ideas you wanted to get across with the album?
Haha I saw Weezer a few weeks ago and they were great!
Fake Blood is a frustrated and angry album. I’ve let a lot of people walk all over me and push me around my whole life. For me, this album documents a significant period of personal growth, and a lot of that growth has come through processing my anger and frustration. I’ve spent so many years hating and blaming myself for letting people toy me around and I’m done.
How did you approach the songwriting for Fake Blood– it’s a big sounding album.
We activated beast mode and made those puppies extra spicy.
The album makes me happy.
What’s “Rats In a Bucket” about?
It’s whatever you want it to be about! Music is open to interpretation, and “meaning” can change, but for me at this very moment in time it’s about a longtime friend who I don’t have time for anymore because he is a coward and beat his girlfriend.
The video for “Fake Blood” is pretty fantastic- did you guys come up with the concept? How did that video come together?
Yeah, we came up with the concept. Eric Bishop; my homie since birth; filmed and edited it all together. He and I got all the props, my friend George let us use his basement and also acted as the video camera guy, and our friends Maddy and Alex were the other two surgeon characters. The full band performance shots on the red backdrop were filmed at our practice space. We shot it in two days. A lot of running around, preparing and setting up, but I’m very happy with how it turned out.
You’re very effective with social media, generating buzz and getting people interested in your work. How does someone who is crap at social media (me) get schooled in the Heart Attack Man school of social? What do I need to do to get better?
I’d be lying if I said I know “the secrets” haha but I dunno…here’s what I do: I get creative, I’m obnoxious and in-your-face, I be myself, I’m not afraid to piss people off, and I don’t let the haters control me. Haters are normally just cowards that are salty that their lives suck and take it out on everyone else. You could die at literally any second—make the most of your time here, enjoy it at all costs, and unapologetically be your own person!!!
You guys are hitting the road through April and May with Seaway and Young Culture, what are you looking forward to being on the road?
Playing new songs off the album, playing some cities we haven’t played before, seeing friends, making new friends, doing cool shit, activating beast mode on this thing we call life.
What can we expect from a live Heart Attack Man show?
Badass energy and an unparalleled level of rawness.
How did you guys get involved with Triple Crown Records?
I sent them our debut album The Manson Family, explained to them that we are the future and that if they didn’t sign us there would be hell to pay.
Best reason why the masses need to get around Fake Blood.
I will kill all the nonbelievers.
Like a Hurricane: An Interview with Year of the Fist
Year of the Fist are a much needed short in the arm of rock music. We chat to vocalist/guitarist Squeaky.
Oakland based rock n’ roll band Year of the Fist are the kind of the rock n’ roll band you can’t bring home to meet mom. Evoking the sounds made famous by labels like Sympathy for the Record Industry, Year of the Fist are “a hurricane of swirling rock n’ roll poundage”. Unrelenting and visceral, their music is the unforgiving wave in a sea of safe rock music; a sentiment best exemplified by their brand new full-length album, Revive Me. And like the title itself, Year of the Fist are a much-needed shot of energy; raw, no-frills, and urgent.
We caught up with guitarist and vocalist Squeaky, who, along with the band, have just returned from a short trek through California and Nevada to showcase their new album. We talk about the history of the band, their fantastic new record, Oakland, small-town shows, and rock n’ roll.
Congrats on the new record- reception has been positive to it (we loved it)- how do you all feel?
We are all very happy with the way the album turned out. The last year and a half working on felt like an eternity but it’s done and I am stoked.
How did the writing and recording for the record go? It sounds fantastic- did you self-produce or work with someone in the studio?
The album is self-produced and the recording was a multi-step and studio process. We were lucky to work in some amazing studios with some terrific engineers.
Do you have a favorite song from the new record? Or maybe one you all love playing live in particular?
I believe I can speak for everyone when I say “Ghosts” is one of our favorites off this album to play live. And speaking for myself, “Red Lights Flash” is another one I really like playing.
Revive Me is your third full length; what were some of the things you wanted to get done with this record- things maybe you learned from the two LPs prior?
It is actually of 2nd full length. In between the two, we released a 4 song EP. To be honest, I always have an idea in my head on how I am going to approach something and it never works that way. There is always a curveball, an emotion, a gut feeling that pulls you a different direction. So I am trying to get better at going into something with no direction to be honest ….. we’ll see how that works out.
You are based in Oakland- are you guys all from the area and how did Year of the Fist come together?
Our lead guitarist, Katie, is the only member from the Bay Area. I am from the East Coast. Our drummer, Hal, is from the Mid-West and our bassist, Serge, is from Russia. Hal & I met on tour in different bands, I believe sometime in 2006. He lived in Washington and I was in California. Hal eventually moved down to Oakland and we started YOTF in 2011. We anticipated it being a 2 piece band but after writing the first few songs we knew that wasn’t going to be the case. I knew Katie from playing shows throughout the Bay Area, so she jumped on board, then skip ahead 8 years, we found our bassist, Serge. We played with several bass players over the years but now I feel we have found our fit. Serge was one of us within minutes of meeting him.
Do you remember what your first experience with rock n’ roll was? Was it a show, something on the radio, a record, or a band?
I was raised in a rock n roll household so I don’t recall a 1st experience, my upbringing was the experience. As far as going to punk shows, I was living in Richmond, VA and I went to my first punk show at 12 or 13. I was immediately drawn to the energy. I was already playing guitar but after seeing a hundred punks packed into a tiny, sweaty club and feeding off the energy coming off the stage I knew I wanted to be the one on the stage.
What makes Oakland a good place for a rock n’ roll band? Is it the venues, the community?
Oakland has its ups and down with good punk venues to be honest. It seems we will have a ton of good rock venues for a few years and then it takes a nosedive for a few years. It’s tricky like that. Oakland is such a diverse city it keeps every band from being full of a bunch of white straight men. It’s a breath of fresh air.
And some of you pull double duty in multiple bands?
We sure do. Hal & I are in a 2 piece rock band called Cut-Rate Druggist while Katie has a solo project that goes by her name, Katie Cash, and a rock/funk band called Skip The Needle. Serge is the only smart one by not burning the candle at both ends.
You played a bunch of shows in July- across California and then to Nevada- what are some of the things you enjoy most about being able to play these songs live?
We just wrapped up that quick 4-day run and it was terrific. There is nothing like seeing people singing the words you wrote, seeing their body move to a particular part in a song that makes your body move the same way, to have someone tell you how much a song means to them. It is so therapeutic. It is the best shrink that I have ever had.
I used to live in Stockton; it was a tough place when I lived there. But it was always exciting to know bands stopped by (when they did)- how important it is to you guys to find new cities and towns to play in each tour?
Really? You lived in Stockton? What a small world!!
I really enjoy playing smaller cities/towns. The crowd isn’t as jaded as big cities. I don’t mean that as an insult, hell, I am probably one of those jaded people. Living in a big city you can see awesome local and touring bands any day of the week, it gets taken for granted. When you go to a smaller city that has 2, maybe 1 rock show a month, people appreciate that you drove 4-6 hours to get there.
What are the plans for Year of the Fist for the rest of the year and beyond?
We have some light US touring in the fall along with playing FEST in Gainesville, FL. And maybe getting some rest!
Year of the Fist’s new album Revive Me is available now via Heart On Records.
Neon Love: Introducing Okay Cool
We talk to LA duo Okay Cool about their debut single
On the fourth or fifth time I listened to Okay Cool’s first single “Back To You” I hear a voice from the other room chiming in, “this song is really great my love”. It’s my wife, who often spends moments in the other room passively listening to my music. Okay Cool, the suave duo comprised of Jenna Maranga and Rich Gonzalez are on the cusp of releasing their first single and amongst the myriad of music my wife listens to second hand, this is the one she comments on.
It’s only been two years since Okay Cool formed. Once separated by the continental United States, both Maranga and Gonzalez call the City of Angels home. And it’s “home” home. Maranga, who has spent time in New York, has returned to the city she grew up in, reuniting with her friend that spent many summer days at her parent’s house (the same one they still live in now), by the pool drinking margaritas.
I imagine the formation of Okay Cool as happening under the Los Angeles’ night sky, summer some time, clad in the aura of neon lights. But the truth is, their formation happened much more organically, as Maranga explains; “[Rich] has a really cozy studio in his house in Crenshaw that you just want to spend time in, sipping bourbon and hanging out with Billy the pup. Though we didn’t go into it expecting anything like Okay Cool to be born, we genuinely loved the songs we were writing. We were both feeling giddy about the sound we were moving toward and the relaxed vibe — it was like we were making a soundtrack to our time together”. And as you listen to “Back To You”, you get that — a certain vibe, the soundtrack of two artists making music over bourbon and hanging out with Billy the pup. But as the listens multiply, you know that it’s also much more. Clad in the silky smooth vibes of R&B and soul made famous by artists like Sade, Okay Cool channel the timeless sounds of sophisticated pop that resonates on a multitude of levels.
Sade was an escapable name in the 80s, one that crossed the globe. But when asked if Okay Cool purposely set out to make music like Sade, the answer may surprise you; “For me, this sound is just kind of what naturally comes out when I produce music. Jenna’s project Isla June is quite different from our sound for Okay Cool, which is the best part of this project in my opinion. Jenna has a unique ability of shaping her voice/writing style to most genres. I’d like to think Jenna brings out the best in my production style.” Gonzales says. But flip that on the upside and you have Maranga’s differing approach; “That’s why I need Rich! It totally comes naturally to him. I’ll be honest, for me, it was more or less intentional. Most of the music I’ve written over the years has been loud and energetic with a lot of belting vocals and sonic builds. I wanted to do something totally different in the realm of Sade (whom I love), and Rich is the perfect counterpart for that. His writing and production are some of my favorites to sing melodies to — they immediately spark ideas, and his jazz background has given him an innate sense for structure and arrangement. His songs just flow so well.” Combine the two approaches and you have Okay Cool’s debut single- classy production that crosses soul and jazz with electronica and a golden voice that melts.
They seem to work in concert because even though they approach Okay Cool a little differently, the collaboration works. And whether you listen to “Back To You” to find comfort in the night sky after a long day, or find it as the perfect soundtrack on a weekend drive’s winding roads, the song’s gradual build and composed crescendo is the refined kind of cool.
“Back to You” was one of those songs that just fell into place. The song is a bit of a love letter to mother nature, and a subtle plea to give her back what she deserves– Jenna maranga, okay cool
Gonzalez found inspiration for his music from some historical greats, and his production sizzles with the kind of refinement his influences are known for; “Miles Davis, John Coltrane, Sonny Rollins, Count Basie among other jazz classics. I also listened to a lot of classical music like Percy Grainger, Chopin” he says. His influences ultimately helped shape Okay Cool, and as Maranga states, they aim to pave a new path for the genre while paying artistic homage at the same time; “I have been a fan of Stax and Motown soul forever, and as a 90s kid I grew up with an iteration of R&B that was impossible not to love. The more I learn about the history of both genres, the deeper my appreciation and respect for it grows. I’m glad we can give a little nod to it in our own music.”
“Back To You” is only the first step for Okay Cool, the initial foray that will be followed by more singles and an EP. But when pressed about a possible full-length album, there is no doubt one is on the way. Yet as you talk to both Maranga and Gonzales about Okay Cool you realise that they both approach the project with both a seriousness to creating art and music, but at the same time, realizing that the journey of creating it, can come with a lightheartedness and a joie de vivre that makes it all worth it in the end; “we’re having a good time inventing the brand around Okay Cool and cultivating a vibe that’s fun and not taking ourselves too seriously.”
Listen to “Back To You” and you’ll feel the same — art and music that sounds timeless, like those artists that came before them. But it is also full of life and pulls you into the present moment, making you smile. Whether it grabs you on the first listen, or it hypnotizes you on the fourth or fifth listen, “Back To You” leaves you eager to hear more. And what else could you want from your first single?
Listen to “Back To You”