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BurnThe8Track – The Ocean

BurnThe8Track brings emo music back to its roots with this, their second album, The Ocean.

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Once upon a time, emo music contained emotions other than sadness. This particular genre doesn’t have to be all about sulking in one’s room after a break up or wearing your heart on your sleeve. It can be about any and all feelings, as it should be. BurnThe8Track brings emo music back to its roots with this, their second album, The Ocean. The emotions constantly change, winning over listeners’ hearts and minds. Dynamic and fiercely fun, these Canadian boys will take your ears for a ride and your mind on a feverishly fantastic journey; blending gripping guitar music with insightful, delightful lyrics as this band rises and soars high above the rest. 

“We Stand Alone,” a real sing along melody, definitely gets my vote as best song on the album; this song breathes life into a stale genre that has left many a fan feeling weary, emotionally spent, and listless. BurnThe8Track really provides one of the smoothest voices rock has served up in a long time. Lead singer Derek Kun’s breathtaking, echoey vocals blend perfectly with Jason Kun’s vibrant guitar playing. The song really captured my attention and I wound up listening to it repeatedly while reviewing this CD. Lyrically the best song hands down is title track, “The Ocean.” The words, “Turn to the ocean to wash the guilt away / Turn to the ocean to wash the fear away / Turn to the place you love to find the beautiful / Turn to the ocean / Escape the tragedy” smack of poetic beauty.

With their powerfully passionate, soulful rock, they prove themselves amidst a sea of musicians who call themselves emo. The vocals grab you and draw you in and the music makes you stick around until the end. If you want a change of pace and care to feel something other than emotional apathy, give this album a spin. You will find yourself glad you did.

(Abacus Recordings)

Reviews

Calvin Clone – Machines [single]

Meshed together with the cyber sounds of machines throughout, it’s a weird but working combination

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Calvin Clone Machines

The year is 2040. The war between human vs machine is at the forefront. Is it too late for humans to take back the world from Artificial Intelligence? Are we already outrun by machines? Have no fear, Calvin Clone is here. “Machines” is the first of three singles released by Melbourne artist Calvin Clone. This first track allows listeners to see into the future through song. Setting it simply, according to Calvin Clone, our world is taken over by machines, and I don’t know about you but that doesn’t sound too crazy to me.

Founder and creator of Calvin Clone, Jack Alexandrovics, “combines dance, pop, industrial and rock to create a vision of cyberpunk.” This single shows a great connection music can have between modern and classic interpretation. There is a fantastic guitar riff throughout the song and really stands out when played. Meshed together with the cyber sounds of machines throughout, it’s a weird but working combination.

Alexandrovics’s theatrical voice adds yet another element to the song. He explains that his music is “closer to a theatre production than a conventional gig”. The vocal element in “Machines” exposes an ability to move up and down the scales flawlessly.

It is really exciting to see artists thinking outside of the conventional box. Calvin Clone explores modern and futuristic ideas yet keeps the integrity of a smashing guitar riff and untouched voice. There will be two more singles released by the end of the year which will all be part of his EP Kinetics. Calvin Clone is ambitious with visuals and sonics, and wants the live audience to be fully engaged in all aspects of his live performance. “Machines” has been stuck in my head for days. It’s catchy and engaging and I can’t wait to hear what else may be coming our way. This is only the beginning.

(self-released)

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Reviews

The Ritualists – Painted People

The Ritualists play some determined, strong-willed music

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ritualists

After listening to Painted People by The Ritualists, I was very surprised to learn that this is their debut album. This band shows a maturity in their music that I would not expect from a first album and provides inspirational sounding tracks with ‘reach for the stars’ type of guitar riffs. I hear a modern version of U2 in The Ritualists, along with an influence of Radiohead. Their songs are full, wholehearted post-punk hooks with a lead singer that has a sizeable range.

“Rattles” opens the album, and it’s the type of song that shows their audience that they are here to stay. It has a great build-up of excitement and intensity. The band explains that this song is “A combination of dark, deep-pocketed verses juxtaposed with big, flashy choruses is a key element to tracks”.

Ice Flower” and “Worthiest One” welcomes an electronic wave to the album and showcases just how impressive lead singer Christian Dryden’s range is. His ability to hit those high notes with such conviction puts my falsetto abilities to shame. “Worthiest One” brings this sort of nostalgic feeling- it’s a rock ballad with a floaty guitar riff.

“She’s The Sun” is a great follow-on from “Worthiest One” as it transfers the mood upwards and directs the music into more of a hypnotic vision, which conveys “the band’s inner Sixties Love Child”. “I’m With The Painted People” has a really relatable background to the song. Dryden felt a larger than life inspiration from people like David Bowie and Simon Le Bon, these artists felt like soulmates, which can be lonely at times. It wasn’t until he ventured out into the clubs of the lower east side of New York which helped him feel comfortable to express his creative vision freely. The song is all about finding like-minded people.

There are hooks galore and catchy choruses in pretty much every song. “With this record, I’ve specifically tried to be anthemic,” admits Dryden. “I’ve always loved going to shows, where immediately after the performance, and even on the ensuing days after, you just can’t help but remember and sing the songs you’ve just heard. It’s almost like a higher form of communication.” The Ritualists play some determined, strong-willed music and Painted People shows hints of variations with different genres explored throughout. They sound motivated and in return have produced motivating music for their listeners.

(Out Of Line Music)

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