The acclaimed genre-bending series Buffy the Vampire Slayer pushed a whole lot of boundaries — but few were as wild as the 2001 musical episode “Once More With Feeling.” It was one of the first modern TV musicals (a trend that’s only gotten more popular in recent years) and an insanely ambitious proposition.
Series creator Joss Whedon (who would go on to direct the first Avengers film to universal acclaim) wrote and directed the Season 6 episode, which featured all original tunes that were not only catchy and creative in their own right — but also integral in moving the plot of the episode, the season, and even the series forward with some momentous reveals hidden amongst those show tune lines. He also scored a surprisingly great musical performance from the show’s actual cast, as opposed to simply dubbing in professional musicians.
The episode’s soundtrack received a CD release back in the day and drifted into geeky cult icon status for the past decade and a half. But, Buffy’s iconic musical is getting a new shot at primetime all these years later thanks to niche distributor Mondo. The company puts out everything from special edition posters to soundtracks, and its latest offering is a high-end take on “Once More With Feeling.” The pressing is on 180-gram vinyl and comes on blue splatter vinyl as well as a red variant. Like most Mondo releases, it features some gorgeous cover art, as well as in the gatefold, and even a geeky bonus for old school fans. Original creator Joss Whedon has written up some all-new liner notes to go along with the release (complete in its very own “Slaybill”), giving fans a bit more insight into the beloved episode.
Though the appeal here is obviously meant for Buffy fans, it’s worth noting there are some great songs on this album. Whedon is a proven songwriter and would go on to pen the award-winning web series musical Dr. Horrible’s Sing-A-Long Blog. He showcased those skills in spades here, with a line-up that spans everything from rock ’n roll to ballads. “Under Your Spell” is a slow, foreboding track about love. “Rest In Peace” is a snarky punk rock number loaded with Buffy-centric gags. There’s “Standing,” a ballad about growing up and moving on in life; and the full cast closer “Where Do We Go From Here?” a sweeping tune that set the stage for the remaining run of the series. Then, there are the clever gag tunes, such as the medley “I’ve Got a Theory / Bunnies / If We’re Together,” and the short tunes such as “The Parking Ticket” and “The Mustard.”
Buffy was a low-key hit when it debuted, and the show has only grown in popularity and acclaim in the years since. Along with being an excellent album all its own, “Once More With Feeling” now lives and breathes as a pop culture artifact of a creative force who would go on to make a couple of the biggest movies (Avengers, Age of Ultron) and most beloved TV shows (Firefly) of the modern era. It’s also one of the boldest episodes of network television ever put to the airwaves, and yes, that still holds true to this day. If you’re a Buffy fan from way back, a new fan who found the series on streaming, or just a curious collector who digs on colored vinyl sets — “Once More With Feeling” deserves a spot on any shelf, regardless of what leads you to pick it up.
Order a copy of Buffy the Vampire Slayer – Once More With Feeling on vinyl from Mondo.
Crossed Keys – Saviors
Saviors shows the work of well-seasoned musicians finding new energy in old sounds
Philadelphia’s Crossed Keys are an interesting intersection between melodic hardcore and punk, taking an earnest approach to the sound that made its way from the underground in the late 90s and early 2000s. This relatively new outfit is the result of Kid Dynamite and Samiam in a blender- in the best way possible. The Kid Dynamite influence may be a given since Crossed Eyes features KD’s drummer Dave Wagenschutz, but the band’s pedigree also includes members of bands like Zolof the Rock & Roll Destroyer and The Curse, all backing the melancholic vocal work of frontman Joshua Alvarez (Halo of Snakes). So while Crossed Keys are somewhat new, its members have been cutting their teeth within their respective circles for years, and their new EP Saviors shows the work of well-seasoned musicians finding new energy in old sounds.
Saviors is backboned by the furious urgency and energy that Kid Dynamite showed through their history, but while Jason Shevchuk’s vocals were beautifully abrasive, Alvarez takes a more restrained, wistful approach to singing. Songs like the opening “Times of Grace” are musically up-tempo percussions and razor-sharp guitars, but are buoyed by Alvarez’s more melodic vocals. His vocals rest at a good place between Samiam’s Jason Beebout and that NYHC tone exhibited by bands like Token Entry and Grey Area. In songs like “R.J.A” and the closing title track, Crossed Keys find more success with their brand of blistering speed meets harmony- slowing down only for the kind of melancholic punk that made Samiam a noted name. While much of Saviors is built on pace, it wasn’t always this way for the band. In fact, their 2017 EP, I’m Just Happy That You’re Here, leans closer to Samiam than it does to Kid Dynamite (the song “Jeff Pelly vs. The Empire” is particularly fantastic), so there’s been an uptick of urgency with Saviors.
For fans of any of the aforementioned bands here, there is plenty to like with Crossed Keys and plenty to like in Saviors. It’s succinct, to the point, but filled with ample reflection and exploration that gives the EP depth and resonance. Any band that has found influence from Kid Dynamite is most certainly OK by us (this site is named after a KD song after all), but Crossed Keys does more than just tip their cap. This one’s a really good one, and worth your time.
Every last time: Revisiting Gameface’s “How Far Is Goodbye?”
A glorious sound of a time gone by
Southern California’s Gameface were always a band that seemed perfect just below the cusp. Their brand of pop-tinged punk was somewhere in between the melancholy driven emo of the early 1990s to what would become of radio-friendly punk bands evolving from the Jimmy Eat Worlds of the… world.
I loved this band. It was songs like “My Star” and “When You’ve Had Enough” that captured my attention. They didn’t fit in with the punk explosion of the mid-90s and had more melodic chops than those that remained in the underground with bands like Quicksand and Texas is the Reason (the latter being the most musically similar).
To this day, I count their track “How Far Is Goodbye?” as one I can listen to on any given day and still feel the same way about it as I did years ago. It’s a glorious sound of a time gone by, and Jeff Caudill, who has been the backbone of their songwriting since the beginning, has still got the chops his ilk can only dream of. There’s a tinge of melancholy that conjures up a certain sadness, a scene in a movie where the protagonist is making their exit into the distance as the scene closes. Something about the song, the sentiment, and the lyrics that always reminds of driving away while looking at the rear view mirror.
Five years ago Gameface released a new album, Now Is What Matters, an album that perfectly encapsulated their ability to write with emotion, melody, and magnetism that only a select few seem to possess. I interviewed frontman Jeff Caudill before the album came out to chat about the band, an interview I think still holds up. Caudill has been busy since then with a lot of solo material, while the band themselves have been releasing music sporadically (mostly singles) since 2014.
While their catalog is deep, there’s one song I keep coming back to, and that’s “How Far Is Goodbye?”. Originally released on the split 10″ vinyl with Errortype: 11 in 2000, the song received an update in 2018, which you can hear below.
Gameface photo from Gameface facebook page.