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Boston Manor and John Floreani release new song “Liquid”

After multiple tantalizing social media teases, and a solid week of unrelenting speculation from fans, Boston Manor have today dropped their brand new single, “Liquid”.



After multiple tantalizing social media teases, and a solid week of unrelenting speculation from fans, Boston Manor have today dropped their brand new single, “Liquid”. This is the first release from the UK five-piece since their sophomore album, Welcome To The Neighbourhood, and is made even more special by the guest appearance of John Floreani (Trophy Eyes).  

Boston Manor have locked in their sound as an alternative, synth-filled, mesmerizing blast of rock and roll. Their digital, noir-themed, atmospheric music meets the listeners’ ears like an orchestra. Each song tells a story and inspires imagery to take you on an adventure as you listen. “Liquid” is no exception to this.

Buzzing synth, revving guitars, and dreamlike vocals open up the song with an atmosphere of post-apocalyptic dread. Resonating like the soundtrack of a sci-fi thriller, you want to float away, as this powerfully catchy song makes your head spin. The large chorus will stick in your head for hours, as the cries of release make for a perfect peak of the track. 

John Floreani’s soft clean vocals fit the Boston Manor formula perfectly, as his vocal tones hover above the growling synth and guitars. This compliments the vocals of frontman Henry Cox perfectly, as Henry displays the overwhelming and melancholic intensity that he always does. A moody bridge leads into the climax, as Henry and John close out the song together, united as they lead us out of the imaginative darkness, the song comes to a close. 

Check out “Liquid” here:

New Music

Chrissie Hynde covers The Kinks’ “No Return”

“Jazz is something I grew up around and I’ve always had a soft spot for it”



Singer-songwriter Chrissie Hynde has given the Kinks track “No Return” a jazz makeover in her rendition of the song. The cut comes from her upcoming new covers album Valve Bone Woe, where Hynde takes on some noted singers and songwriters including Brian Wilson, Frank Sinatra, Charles Mingus, Hoagy Carmichael, John Coltrane, Nick Drake, Rodgers and Hammerstein, and of course, Ray Davies. The original, written by Davies, was released on The Kinks’ 1967 album Something Else.

The new album was produced by Marius de Vries and recorded with the Valve Bone Woe Ensemble at Air Studios in London. In discussing the new songs, Hynde talked about the genesis of what would become the new album and how it came to be;

“I thought that was a perfect title for the album I’d been working on with producer Marius de Vries. After we’d recorded “I Wish You Love” for the Eye Of The Beholder soundtrack I’d often expressed a desire to do more along those lines. What eventually emerged was the idea to do what we refer to as our Jazz/Dub album. I’m not hugely interested in branching out into other musical genres, being a devout rock singer as such, but jazz is something I grew up around (thanks to my bro) and I’ve always had a soft spot for it.”

Chrissie Hynde
Photo by: Jill Furmanovsky

Other covers from Valve Bone Woe include the Beach Boys’ “Caroline, No,” Frank Sinatra’s “I’m a Fool to Want You,” Nancy Wilson’s “How Glad I Am,” Charles Mingus’ “Meditation on a Pair of Wire Cutters,” Johnny Mathis’ “Wild is the Wind,” and John Coltrane’s “Naima”.

Valve Bone Woe is out Friday, September 6th via BMG. The famed Pretenders’ frontwoman last released a solo album in 2014, titled Stockholm, while The Pretenders last studio album was 2016’s Alone.

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Face to Face return to the live album scene with ‘Live in a Dive’

A new Face to Face live album 21 years after one solidified their career



21 years after Victorville punks Face to Face set the standard for punk rock live albums, the band are set to once again return to the live album scene as part of Fat Wreck’s Live in a Dive series. It is however, worth taking some time to look back at the first full-length face to face live album, simply titled Live, released in January 1998 on Vagrant Records (the live set was recorded in September of 1997 in Los Angeles). It is still the gold standard of punk rock live albums, and to this day still rings as urgent and timely as it was the day it was released- an evergreen time capsule of the band’s magnetic live performance.

1997 capped off a good few years for Face to Face. Fresh from the release of their underrated self-titled 1996 major label debut, the band was finding good ground after some lineup changes. Scott Shiflett was relatively new to the band, and his incredible bass work is crystal clear on the live record, sounding great on songs like “Dissension”. With the departure of original bassist Matt Riddle, front man Trever Keith undertook all of the band’s songwriting duties and their major label debut was a fantastic album and found the band skirting more alternative territory away from their melodic punk roots. So Live came at the right time- and the songs recorded on it were the perfect showcase for where the band were at that stage of their career, blazing through a host of older songs as well as new ones.

There was just one omission- “Disconnected”. The band’s hit song had seen its fair share of radio play, television time, and had featured on multiple releases. Perhaps the band was just over it at the time (if you’ve listened to the hidden track of their 1995 album Big Choice, they riff on the fact that the song has been released to death) but it was that one missing element from Live. They made amends in 2005 by releasing a live cut of it on their Shoot The Moon collection, but it lingered as the only real negative of that 1998 album.

Now 21 years later, the band return as part of Live in a Dive, an opportunity for fans to hear live recordings of a good mix of the band’s work since 1998. While there’s plenty of songs from 2016’s Protection, there’s a few from 2011’s Laugh Now, Laugh Later and 2002’s How to Ruin Everything, but there are no tracks from 2013’s more rockabilly outing Three Chords and a Half Truth. There are however, tracks from their fan-chosen 2000 album Reactionary (including the great “Disappointed”), and yes, “Disconnected”.

The Live in a Dive series have been solid if not unspectacular- adhering to a quality that rarely ruffles the feathers of live recordings. While it’ll be interesting to see if it can capture the same manic energy as 1998’s Live did, it at the very least, offers the mix of new songs, old songs, and some staples that have gone missing in the past. What’s most remarkable perhaps is that some 21 years between live albums and Face to Face are still as great live as they were more than two decades ago. You can listen to “Bend and Not Broken” from Live in a Dive below.

I saw Face to Face live for the first time back in 2000 on their tour with Saves the Day, New Found Glory and Sum 41. I remember in part because I got to see three young bands (Sum 41 replaced Alkaline Trio on the night) on the cusp of breaking big, but mostly because Face to Face headlined as the night’s established act and blew them all out of the water (yes, they played “Disconnected”).

Face to Face: Live in a Dive faces the tough task of reaching the lofty expectations their 1998 album set, but coming from a band still going strong almost 30 years into their career, it’s not out of the ordinary that it can’t. Trever Keith has reiterated this point when talking about the reasons for the new live album;

“We’re still playing this vital, intense music. We’re still here and we’re not going anywhere.”

And that’s the truth. Until then, you can pre-order your copy from Fat Wreck and check out the track listing below.

Track Listing:
01. Resignation
02. Bent but Not Broken
03. Bill of Goods
04. Double Crossed
05. What’s in a Name
06. No Authority
07. I Won’t Say I’m Sorry
08. You Could’ve Had Everything
09. Should Anything Go Wrong
10. All for Nothing
11. Disappointed
12. Disconnected

Fat Wreck Chords will release face to face: Live in a Dive on October 18th.

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