Crossed Keys – Saviors
Every last time: Revisiting Gameface’s “How Far Is Goodbye?”
Pine – Pine
Lagwagon – Railer
Nonstarter – Seasoned Stuntman EP
Film Review: It Chapter Two
Once Upon a Time in Hollywood, Fight Club, and the Quest For Authenticity
Film Review: Hobbs & Shaw
Lars Klevberg’s Child’s Play Reboot: From Magic to Materialism
Spider-Man: Far From Home is a splendid coda to the Avengers
Why Fleabag was the most important show of 2019
Homelander is humanity’s most accurate superhero
Another Case of Willed Amnesia: Bob Dylan and the Rolling Thunder Revue
Swamp Thing: The Futility of Saving a Good Thing
Netflix’s Street Food is a disjointed but sincere ode
Divided We Fail: How Individualism is Holding the U.S. Back
Ramsay and the Rabble: Miseducation at the University of Queensland
If U.S. presidential candidates were rock bands they’d be…
Make Dodgeball Great Again
The Art of Corporate Pandering
The Sad Demise of Bolton Wanderers Football Club
The Long Goodbye: A Spurs fan’s final salute to Kawhi Leonard
AEW and the Way Forward for Pro Wrestling
Before Expectations Start Running Wild: A look at AEW’s television future
WWE’s Meh Movement
Trail of Dead had a lot of expectations to live up to for their next project. So did they buckle under the pressure? Well, maybe.
